We're very excited to be singing a concert in the evocative space of Waltham Abbey, where Thomas Tallis spent some of his formative years in the reign of Henry VIII.
It's a short lunchtime recital, and it's free to attend.
We'll be bringing the sunshine of Portugal and Spain to autumnal Essex. After this, our next concert is back at Long Melford on 18 November.
‘...beautifully controlled... The singers showed understanding and passion in their performance’ Early Music Review
17.9.18
2.9.18
Long Melford, 18 November 2018
Sunday 18 November, 7:30pm
Tickets £16 from Theatre Royal Box Office 01284 769505
The Song of Solomon, otherwise known as the Song of Songs, features some of the most beautiful and sensuous poetic language in the Bible.
Celebrated liturgically as an allegory of the relationship between Christ and his bride the Church, the verses themselves are plainly erotic, evoking a luxuriant sexuality in terms of fragrant spices, ripening vines, orchards and gardens richly planted with pomegranates and lilies. This coalescence of spiritual meaning and sensuality gave free rein to Renaissance composers’ powers of musical expression, allowing them to reflect a heavenly beauty in music that is nevertheless richly grounded in a garden of earthly delights.
Cambridge Renaissance Voices explore this repertoire across Renaissance Europe, from Franco-Flemish composers such as Lassus and Clemens non Papa, through the music of Palestrina in Italy, to that of Tomas Luis da Victoria and Francisco Guerrero in Spain.
Tickets £16 from Theatre Royal Box Office 01284 769505
The Song of Solomon, otherwise known as the Song of Songs, features some of the most beautiful and sensuous poetic language in the Bible.
Celebrated liturgically as an allegory of the relationship between Christ and his bride the Church, the verses themselves are plainly erotic, evoking a luxuriant sexuality in terms of fragrant spices, ripening vines, orchards and gardens richly planted with pomegranates and lilies. This coalescence of spiritual meaning and sensuality gave free rein to Renaissance composers’ powers of musical expression, allowing them to reflect a heavenly beauty in music that is nevertheless richly grounded in a garden of earthly delights.
Cambridge Renaissance Voices explore this repertoire across Renaissance Europe, from Franco-Flemish composers such as Lassus and Clemens non Papa, through the music of Palestrina in Italy, to that of Tomas Luis da Victoria and Francisco Guerrero in Spain.
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